On our second Diamond episode, we revisit 1991's Ten by Pearl Jam, dive into both the album tracks and b-sides that dominated the early 90s

For episode 666 we gather around the table and discuss controversial albums, videos, artwork, live performances, and more of the 1990s

On their 1999 major label debut February Son, Oleander ignored the nu-metal ruling rock radio and made a grunge throwback with needed energy

Four years in the making, Filter's 1999 sophomore release Title of Record is more rock than industrial and the album is better for it

Though the tragic story of Mia Zapata dominates their story, The Gits 1992 album Frenching The Bully is worthy of its own discussion

Hole's second album Live Through This is a lyrically fierce and musical high-point for not just the band but the entire 1990s

With 1991's breakthrough Badmotorfinger, Soundgarden made heady metal for the alternative rock crowd without sacrificing volume or riffage

Lumped in with fellow grunge roster mates on Sub Pop, Love Battery delivered psychedelic-tinged guitar rock on their 1992 debut Dayglo

On their lone self-titled release, Salmonblaster make good on half their name as they dial up the volume and energy, recalling early Nirvana

Evolving out of their teenage hardcore roots, Dinosaur Jr. forged a noisy path that reinvigorated guitar leads with indie-rock flair

Vets of the indie rock world, the Meat Puppets released their commercial breakthrough in 1994, but does it stand the test of time?

On their 1995 debut Fluke, Rusty criss-cross genres with layers of ragged garage rock fuzz over raspy shredded vocals to maximum effect

Tight songwriting, killer bass tone, and blistering guitars elevate Ammonia's debut album Mint 400 out of the pack of mid-90s rock bands

On 1993's Rid Of Me the sound-shifting PJ Harvey created a visceral and vital record, deconstructing blues and punk with poetic tension

On their second full-length Every Good Boy Deserves Fudge, Mudhoney expanded their fuzzed-out sound but missed on delivering a killer track

With his 1994 sophomore solo album Whiskey For The Holy Ghost, Mark Lanegan matured as a songwriter with his take on folk and blues

Ricaine's 1996 debut Regret Is An Inevitable Consequence of Life is an undiscovered gem of 90s noise rock that balances the light and dark

For our 500th episode of the podcast, we've convened our biggest roundtable ever to discuss Nirvana's legendary 1991 album Nevermind

In the 1990s B-sides were much more than just one song - we revisit the various compilations, maxi-singles, covers, remixes and more

Cosmic Psychos might be unknown in the United States, but their fuzzed-out punk can be heard in grunge, stoner, and action rock followers

We revisit the early formative years of Muse, a band that would go on to become a global powerhouse of touring, album sales and singles

On Less Is More, Melbourne trio Even competently integrate 90s alternative and grunge sounds with power pop and British invasion melodies

What started as a side project for members of the Pixies and Throwing Muses resulted in an influential album that defies rock conventions

Heralded as the genre defining noise rock album of the 90s, we tackle the 1991 sophomore album Goat by The Jesus Lizard

On their third album In On The Kill Taker, Fugazi expanded and redefined not only their own sound but the post hardcore they helped create

With the Dave Grohl produced Into The Pink, was writing off Verbena as a Nirvana clone accurate or lazy?

On his debut solo album, Sonic Youth frontman/guitarist Thurston Moore strips down and condenses the songs, for better or worse

Shellac are the post-punk grinding underbelly of the 90s alternative explosion thanks to producer/guitarist/singer Steve Albini.