With a deluxe 2LP set of Majesty Crush music hitting shelves, bassist Hobey Echlin joins us to discuss the early ‘90s Detroit shoegaze scene

The Kochanowicz brothers discuss the formation of Riverside, their major label deal, and the Kickstarter campaign to reissue their album One

On their third and final album, Pale Saints changed their lead singer and found a balance between expansive shoegaze and tight rock songs

On their lone self-titled album from 1995, Spot injects their brand of mid-90s alternative rock with metal riffage and Faith No More vibes

Jangly American and Australian indie rock meets UK shoegaze and dream pop on Glide's 1995 debut album Open Up and Croon

On the 1993 sophomore album Chrome, Catherine Wheel cut back the shoegaze elements for a bolder, more dramatic sound

Celebrating 30 years since signing a record deal, Fretblanket’s Will Copley and Dave Allsopp reminiscence about the band’s early days

Adorable pairs their brand of UK shoegaze with touches of 80s alternative and post-punk on their 1993 debut album Against Perfection

Evolving out of their teenage hardcore roots, Dinosaur Jr. forged a noisy path that reinvigorated guitar leads with indie-rock flair

On their 1990 debut Nowhere, Ride owes as much to the 1960s jangle and dream pop of The Who and The Byrds as 1980s noise and indie rock

On their album Split, Lush created a pop-friendly mix of shoegaze and dream pop, but are the layers of reverb and delay dated or timeless?

We explore shoegaze - the bands, sounds, albums, guitar pedals and much more that made up this loosely defined sound and group of artists

Medicine has been called the American My Bloody Valentine, we revisit their 1992 debut album Shot Forth Self Living

On his debut solo album, Sonic Youth frontman/guitarist Thurston Moore strips down and condenses the songs, for better or worse

Chrome hinted at a heavier sound from the band though their earlier shoegaze influences were still evident - not so on Happy Days

Calling it "the greatest American shoegaze record" puts some high expectations the Swirlies, but also raises a number of questions

J. Mascis once described the album as his favorite of the major label years.

Revisit Bob Mould's short-lived run with with this post-Husker Du power trio.

In the seventeenth episode of the Dig Me Out Podcast, Tim and Jason review the 1993 album Mezcal Head by Swervedriver