Thirty years after release, The Downward Spiral remains one of the 90s most enduring creative statements and thematic concept albums

On her 1997 album Impossible Princess, Kylie Minogue explores trip-hop, trance, Britpop, and unexpected experiments on this uneven release

Artistic highs and personal lows define Depeche Mode in the 90s, who balanced commercial success without sacrificing their mystique

Industrial supergroup C-Tec filled their debut album Darker with a variety of textures and sounds that criss cross the industrial genre

Heather Duby joins us to talk about her brief dalliance with SubPop, being in a band with Reggie Watts, going to law school, and more

The 1997 debut Exile on Coldharbour Lane by Alabama 3 somehow combines trip-hop, acid house, country, blues, and gospel and make it all work

With their 1994 debut album Dummy, Portishead helped elevate trip-hop from the underground to award-level mainstream prominence

The 1998 debut by Boards of Canada put a chill spin on the 90s trip-hop sound with an analog old school approach that hits the mark

On 1991‘s Ebbhead, Nitzer Ebb incorporated pop elements and traditional song structures that drove a wedge in their EBM fanbase

On their 1992 debut album Doppelgänger, Curve manage to sound simultaneously ahead of their time and firmly planted in the 1990s

With their final album Formula, James Plotkin and Alan Dubin as O.L.D. create a genre-hopping electronic dreamscape with few nightmares

New Order entered the 90s with a number one record, then split into three different directions, but did it help revitalize the band?

On their 1995 debut Empty, can God Lives Underwater add their own take on industrial rock or are they weighted down by their influences?

The self-titled 1995 album by Prick manages to capture the urgency of industrial at its harshest without abandoning melody and song craft

Moby covers all the ground on Animal Rights - industrial metal, down tempo-dirges, post-punk, ambient - but is it too much?

This project frees Bernard Sumner to explore more pop melodies, while Johnny Marr can get lost in the layers of loops and synths.

Simple is an understatement, as Bowery Electric takes minimalism to near Brian Eno levels.

Expanding their band and sound allows the band to bring in a variety of elements and genres not heard on their debut release.

A diverse track list featuring sixteen covers of Depeche Mode songs by bands like Veruca Salt, the Smashing Pumpkins, Dishwalla, and more