Following the dissolution of Galaxie 500, Damon and Naomi further explore the melancholy sounds of dream pop and slowcore on More Sad Hits

The 1998 debut Stratosphere by Duster eschews traditional song structures for ambient noise experimentation and droning indie guitar rock

Idaho's 1996 album Three Sheets To The Wind isn't afraid to upend the slowcore sound with jazz flourishes and an occasional uptempo rocker

We revisit and discuss the overlooked, under-appreciated, forgotten, and not so forgotten albums of 1993

On their 1990 debut Nowhere, Ride owes as much to the 1960s jangle and dream pop of The Who and The Byrds as 1980s noise and indie rock

Creeper Lagoon's 1998 debut I Become Small and Go finds the right balance between Dust Brothers production and lo-fi

Can a band still make a masterpiece even as they're falling apart? We revisit the 1995 sophomore self-titled album by Sunny Day Real Estate

In the 90s, the Power Pop resurgence etched some mainstream success while firmly holding onto its underdog origins

With her first solo outing, Tanya Donelly attempts to balance her indie-rock past with a radio-friendly approach.

We explore shoegaze - the bands, sounds, albums, guitar pedals and much more that made up this loosely defined sound and group of artists

Tanya Donelly and Kristin Hersh wield a twin-guitar attack on Throwing Muses 1991 album The Real Ramon that we wanted to like more

What was and is Britpop? We're not sure, so we're hosting a roundtable to try figure out the sounds, bands, legacy and more

Bill Janovitz of Buffalo Tom joins us for an in-depth discussion about their 1993 album Big Red Letter Day

One of the most influential albums of the 1990s, Diary. Credited as a primary instigator of what would later be known as emo,

We check out The Juliana Hatfield Three album Become What You Are from 1993

In the seventeenth episode of the Dig Me Out Podcast, Tim and Jason review the 1993 album Mezcal Head by Swervedriver