After scoring a hit on their debut, Superdrag returned with a headier, more diverse and expansive sound on 1998's Head Trip In Every Key

Canadian alternative rockers Limblifter craft energetic guitar rock on their 1996 self-titled debut but are missing a few killer hooks

We revisit the albums of '99, discuss hidden gems, forgotten flops, and long lasting favorites from the last year of the 20th century

In the 90s, the Power Pop resurgence etched some mainstream success while firmly holding onto its underdog origins

In another dimension, 1993's Frosting On The Beater elevated The Posies the biggest band in the world, instead of a masterful footnote

Eric Melin and Bill McShane of Ultimate Fakebook join us to discuss the 1999 release (and 2000 Sony rerelease) This Will Be Laughing Week

Brendan Benson crafted a fine if overlong debut with 1996's power-pop album One Mississippi

Jody started out with The Belltower, a dreamy/shoegaze band, but later joined Fountains of Wayne after their debut was recorded.

Marko DeSantis of Sugarcult, The Ataris and more joins us for an indepth discussion on growing up in Santa Barbara, Sweet Relief and more.

Cheap Trick has two self-titled albums. Colin Gawel of Watershed helps us dissect and provide context for the 1997 album.

Butch Walker transition from 80s glam rock to 90s pop-punk produced mixed results with Marvelous 3

Combine T. Rex grooves with analog synths, topped with radio friendly hooks and you get Imperial Drag.

The Presidents of the United States of America scored a number one single with Lump off their debut. We revisit their sophomore release II.

The self-titled debut by Fountains of Wayne hints at what was to come while still struggling to sound original and find their voice.

John Davis of Superdrag and Epic Ditch joins us to go track-by-track through the sophomore The Lees of Memory album Unnecessary Evil

Summercamp's lone album Pure Juice runs the gamut from syrupy power-pop to grungy thumpers and big rock ballads

Morgan Taylor of Mink shares stories of the '80 and 90s Datyon, Ohio music scene up to creating children's character Gustafer Yellowgold

Sit down in a comfortable chair or hop in the car for a long drive, because Matthew Sweet is here and we've got a lot of questions

John Davis of Superdrag and The Lees of Memory joins us to discuss his bands, his songwriting, recording and a whole lot more

We dive into the four-singer/songwriter band Sloan to figure out if this is the best Canadian album of all time or even the best by the band

Hooks, harmonies and loud guitars sum up Silver Sun's freshman release, and it's chock full of them

It was the right sound released at the right time, so why isn't The Stereo mentioned along side Fall Out Boy and New Found Glory?

Sugarplastic combine the twisted pop of XTC and the Pixies with clear Beatles influence, occasionally detouring into They Might Be Giants

Though they managed to breakthrough minor hit with Sucked Out, Superdrag regretfully never crossed over into the mainstream consciousness

In 1991, it wasn't Nevermind, Badmotorfinger, or Ten that won Spin magazine's album of a year, but Teenage Fanclub's Bandwagonesque

Ken talks about making Frosting on The Beater, how he joined R.E.M. and more.

You are about to learn everything you ever wanted to know about the most under-appreciated band of the 90s.

When you combine the talents of Jason Falkner and Jon Brion into one band, you'd expect something special on The Grays lone album

Velvet Crush were made for fans of '60s pop like The Byrds, the '70s power pop of Cheap Trick and '90s alt rockers like Teenage Fanclub

An album Tim and J both discovered back in 2000, but are happy to revisit and spread the word about Mink.

Phaseshifter is a criminally overlooked album ripe for rediscovery for people who dig the power pop of Cheap Trick and Big Star