On their second and final record, Love Nut filter 70s glam power pop sounds through 90s alternative on the crunchy and hooky ¡Baltimucho!

On our first Diamond episode, we revisit 1995's Tragic Kingdom by No Doubt and dive into the album tracks of this ten million selling album

On their self-released and self-titled one and only album from 1997, Wünderband craft concise power pop that deserves to be on your radar

The Sharp is the perfect name for a band that executes precision new wave dynamics with rockabilly and power-pop twists on their 1993 debut

The self-titled debut by Deathray is a tightly constructed power-pop record full of studio gadgetry and sugary melodies missing some grit

Adam Elk of The Mommyheads shares how a group of four-track recording enthusiasts scored a major label deal and how they’ve stayed prolific

Always out of step with the 90s alternative rock explosion, The Black Crowes released their most confident album with 1994's Amorica

Mixing catchy garage rock, fuzzy desert rock, and psychedelic weirdness make the 1999 album by Wellwater Conspiracy a frustrating listen

Jellyfish followed up their instant classic jangle and power-pop debut Bellybutton with the ambitious final curtain of 1993's Spilt Milk

Dada's 1994 sophomore album American Highway Flower didn't score a hit single like Dizz Knee Land on their debut, is it worth checking out?

We revisit the albums of 1990 that made waves, became influential touchstones, and helped pave the way for the rise of alternative music

Material Issue released their power pop gem months before Nevermind altered the musical landscape, we revisit International Pop Overthrow

On their self-titled debut album from 1990, Human Radio scour the dial for a mix of new wave, pop rock, 70s funk and 80s alternative

On his 1997 sophomore solo album The Lateness Of The Hour, Eric Matthews' orchestral pop mastery is in full bloom

The 1999 self-titled debut by Owsley has been touted as a power pop masterpiece, but our ears were not tuned to the same wavelength

In the 90s, the Power Pop resurgence etched some mainstream success while firmly holding onto its underdog origins

In another dimension, 1993's Frosting On The Beater elevated The Posies the biggest band in the world, instead of a masterful footnote

Out latest visit to the world of underappreciated and overlooked power pop is the 1997 album Wonderful Life by The Tories

Brendan Benson crafted a fine if overlong debut with 1996's power-pop album One Mississippi

Butch Walker transition from 80s glam rock to 90s pop-punk produced mixed results with Marvelous 3

Combine T. Rex grooves with analog synths, topped with radio friendly hooks and you get Imperial Drag.

Steeped in the pop that would guide Toad the Wet Sprocket to success, Bend by The Origin expand the sound with soul, country and psychedelia

The 1993 sophomore album Human Cannonball by School of Fish left us wanting

The Welcome Mat's 1993 debut Gram packs some power-pop worthy hooks and expert guitar riffage, but we found disagreeement in the results

Neil Finn may be known for his two hit singles with Crowded House in the 1980s, but Together Alone may be his best overall album

Mansun's 1997 debut Attack of the Grey Lantern crosses Britpop influences with older American influences in a wildly interesting combination

Hooks, harmonies and loud guitars sum up Silver Sun's freshman release, and it's chock full of them

Sugarplastic combine the twisted pop of XTC and the Pixies with clear Beatles influence, occasionally detouring into They Might Be Giants

Remy Zero's sophomore album Villa Elaine owes a debt to Radiohead, but a deeper listen reveals a wider array of influences.

When you combine the talents of Jason Falkner and Jon Brion into one band, you'd expect something special on The Grays lone album

In episode four of the Dig Me Out Podcast, Tim and Jason review the 1994 album Ling from Seed.