The Lemonheads find the perfect combination of melodic and musical sweet 'n sour on the 1992 album It's A Shame About Ray

With the addition of guitarist Joey Porter, Fountains of Wayne added the power to their pop on their 1999 sophomore album Utopia Parkway

After scoring a hit on their debut, Superdrag returned with a headier, more diverse and expansive sound on 1998's Head Trip In Every Key

Celebrating 30 years since signing a record deal, Fretblanket’s Will Copley and Dave Allsopp reminiscence about the band’s early days

The laid back fuzz of Pure's Generation Six-Pack recalls finds a sweet spot between Pavement's slacker vibe and Hum's wall of noise

Adam Elk of The Mommyheads shares how a group of four-track recording enthusiasts scored a major label deal and how they’ve stayed prolific

We revisit and discuss the overlooked, under-appreciated, forgotten, and not so forgotten albums of 1991

On Less Is More, Melbourne trio Even competently integrate 90s alternative and grunge sounds with power pop and British invasion melodies

The 1999 self-titled debut by Owsley has been touted as a power pop masterpiece, but our ears were not tuned to the same wavelength

In the 90s, the Power Pop resurgence etched some mainstream success while firmly holding onto its underdog origins

One of the most successful bands of the 00's got their start leaning on the Pixies and Guided By Voices, we revisit the 90s origins of Spoon

Andrew Low of The Jazz June stops by to talk the history of hte band, recording with J. Robbins, his current work and more.

John Davis of Superdrag and Epic Ditch joins us to go track-by-track through the sophomore The Lees of Memory album Unnecessary Evil

The Welcome Mat's 1993 debut Gram packs some power-pop worthy hooks and expert guitar riffage, but we found disagreeement in the results

Medicine has been called the American My Bloody Valentine, we revisit their 1992 debut album Shot Forth Self Living

Judgement Night features a roster packed with rock bands and hip-hop artists collaborating in a way only the 1990s could produce

Velvet Crush were made for fans of '60s pop like The Byrds, the '70s power pop of Cheap Trick and '90s alt rockers like Teenage Fanclub