On her third solo outing Only Everything, Juliana Hatfield cranked up the distortion and made one of best guitar rock albums of the 90s

Evolving out of their teenage hardcore roots, Dinosaur Jr. forged a noisy path that reinvigorated guitar leads with indie-rock flair

We revisit and discuss the overlooked, under-appreciated, forgotten, and not so forgotten albums of 1992

What started as a side project for members of the Pixies and Throwing Muses resulted in an influential album that defies rock conventions

In another dimension, 1993's Frosting On The Beater elevated The Posies the biggest band in the world, instead of a masterful footnote

Tanya Donelly and Kristin Hersh wield a twin-guitar attack on Throwing Muses 1991 album The Real Ramon that we wanted to like more

Sit down in a comfortable chair or hop in the car for a long drive, because Matthew Sweet is here and we've got a lot of questions

Bill Janovitz of Buffalo Tom joins us for an in-depth discussion about their 1993 album Big Red Letter Day

Along with Guided By Voices, Sebadoh flew the lo-fi flag in the 90s with a similar gift for short, punchy rock songs.

In 1991, it wasn't Nevermind, Badmotorfinger, or Ten that won Spin magazine's album of a year, but Teenage Fanclub's Bandwagonesque

J. Mascis once described the album as his favorite of the major label years.

Revisit Bob Mould's short-lived run with with this post-Husker Du power trio.

Does the energetic and sometimes frantic mix of punk, power-pop, and indie rock come together on Superchunk's album No Pocky For Kitty?

We check out The Juliana Hatfield Three album Become What You Are from 1993