We revisit and discuss the overlooked, under-appreciated, forgotten, and not so forgotten albums of 1994

Breakneck industrial beats one minute, dreamy ambient the next, Course Of Empire's 1990 self-titled debut is a wild post-punk ride

Four years in the making, Filter's 1999 sophomore release Title of Record is more rock than industrial and the album is better for it

Industrial supergroup C-Tec filled their debut album Darker with a variety of textures and sounds that criss cross the industrial genre

The 1998 debut by Boards of Canada put a chill spin on the 90s trip-hop sound with an analog old school approach that hits the mark

On 1991‘s Ebbhead, Nitzer Ebb incorporated pop elements and traditional song structures that drove a wedge in their EBM fanbase

One album, that's all! Our roundtable discusses favorite, overlooked, forgotten bands and artists that only managed one album in the 1990s

With their final album Formula, James Plotkin and Alan Dubin as O.L.D. create a genre-hopping electronic dreamscape with few nightmares

On their 1995 debut Empty, can God Lives Underwater add their own take on industrial rock or are they weighted down by their influences?

The self-titled 1995 album by Prick manages to capture the urgency of industrial at its harshest without abandoning melody and song craft

With Henry Rollins producing, The Mark Of Cain channel the post-hardcore riffage of Helmet and Quicksand on 1995's Ill At Ease

Tackle the sounds, politics and narcotic indulgences of Al Jourgenson and crew on their 1992 album Psalm 69

In the twenty-eight episode of the Dig Me Out Podcast, Tim and Jason review the 1990 debut album Strap It On by Helmet