On their third album Dog Eat Dog, Warrant expanded on their established hard rock sound with creative lyrical and musical departures

The 1992 self-titled album by T-Ride is a wild alternative rock ride with virtuoso guitar licks, layered vocals, and electro pop rhythms

On the third album Swagger by Gun, the Scottish rockers successfully combine American influenced 80s AOR rock and 90s hard rock

The sophomore album Scenery and Fish by I Mother Earth combines progressive rock, funk, and alternative rock with superior craftsmanship

Terry Ilous of XYZ joins us for a discussion about the waning days of the Sunset Strip hair metal scene in the early 90s

Phantom Blue's second and final album Built to Perform got lost in the early 90s alternative wave but is a hard rock record worth revisiting

On the lone release by Hash, the band encapsulates the wild, genre-hopping world that was the late 80s and early 90s alternative music scene

We revisit and discuss the overlooked, under-appreciated, forgotten, and not so forgotten albums of 1991

Extreme's 1995 Waiting For The Punchline album is full of pointed lyrics and gritty guitar licks that mostly went undeservedly unheard

Instead of Red Hot Chili Peppers or Primus funk, Big Chief channeled 70s blaxploitation films on the 1993 album Mack Avenue Skullgame

Animal Bag's self-titled 1992 debut album is a prime example of a band with one foot in '80s metal and the other in '90s alternative grunge

With their final album Formula, James Plotkin and Alan Dubin as O.L.D. create a genre-hopping electronic dreamscape with few nightmares

Respected and admired by musicians and a legion of dedicated fans, King's X may be the quintessential overlooked band.

On the edge of 80s glam metal and 90s alternative, Neverland's self-titled 1991 release isn't easy to pin down

Monster Magnet scored a hit single off Dopes To Infinity with Space Lord, but does the whole album live up to one song?

Many of the hair/glam rock and metal bands of the 1980s made attempts to update their sound in the 90s but is this one successful?

A self-titled debut album by I Love You that shifts between Jane's Addiction-like alternative funk and Guns N' Roses riffing

Influenced by early 1980s Crossover Thrash music and inspired by 90s grunge.

The sound is reminiscent of Seattle's biggest and brightest but when you dig a little deeper, the band is definitely stretching.