With a deluxe 2LP set of Majesty Crush music hitting shelves, bassist Hobey Echlin joins us to discuss the early ‘90s Detroit shoegaze scene

After helping define the Britpop sound, Blur turned to American indie rock to find inspiration for their challenging 1997 self-titled album

On their 1990 debut Nowhere, Ride owes as much to the 1960s jangle and dream pop of The Who and The Byrds as 1980s noise and indie rock

On the Jesus And Mary Chain's 1998 album Munki, is there a great album buried in an overlong and inconsistent seventy minutes of music?

The third album from Spiritualized is a headphone album of sprawling proportions one moment and cacophony worthy of a stadium the next

Pioneers of the Britpop sound, we revisit the 1994 sophomore album Dog Man Star by The London Suede

We explore shoegaze - the bands, sounds, albums, guitar pedals and much more that made up this loosely defined sound and group of artists

The 1994 album Tatoonie by Blind Mr. Jones features several shoegaze touchtones but deeper listens reveal nods to power pop and Britpop

What was and is Britpop? We're not sure, so we're hosting a roundtable to try figure out the sounds, bands, legacy and more

We're revisting the albums of 1995 - our favorites, those that stand the test of time, and those that don't, and much more

For better or worse, the uneven 1996 debut The Sun Is Often Out by the Longpigs lands smack dab in the middle of Britpop hysteria

They are among 90s bands and artists who either surpassed expectations on their second album or sank like the proverbial stone.

Dabbling equally in Britpop and American alternative, Nu-Clear Sounds bounces from delicate ballads to fuzzed-out rave-ups in an instant

Combining the long-form jams of The Verve with the attitude and pop-sensibility of Oasis.

The Wendys were a part of the early 90s Madchester scene, but do The Wendys stack up to those legendary bands?