On their 1997 sophomore album In It for the Money, Supergrass arguably made the most interestingly consistent album of the Britpop era

After helping define the Britpop sound, Blur turned to American indie rock to find inspiration for their challenging 1997 self-titled album

With Le Tigre, Kathleen Hanna ditched roaring punk guitars for drum machines and vintage keyboards on their self-titled 1999 debut album

For the 30th anniversary of the first Lollapalooza, we revisit 90s touring festival with the fans who were there

On their album Split, Lush created a pop-friendly mix of shoegaze and dream pop, but are the layers of reverb and delay dated or timeless?

What started as a side project for members of the Pixies and Throwing Muses resulted in an influential album that defies rock conventions

Hiistorian Jovana Babovic, author of the 33 1/3 book entry for Dig Me Out by Sleater-Kinney, joins us for episode #300 of the show.

Pioneers of the Britpop sound, we revisit the 1994 sophomore album Dog Man Star by The London Suede

We discuss the influences on, the influence of and the variety of female artists who made an impact on alternative and indie rock in the 90s

Tanya Donelly and Kristin Hersh wield a twin-guitar attack on Throwing Muses 1991 album The Real Ramon that we wanted to like more

What was and is Britpop? We're not sure, so we're hosting a roundtable to try figure out the sounds, bands, legacy and more

Your Arsenal by Morrissey is one of the highlights of a hit or miss solo career, but can it match or even exceed his worth with The Smiths?

Dabbling equally in Britpop and American alternative, Nu-Clear Sounds bounces from delicate ballads to fuzzed-out rave-ups in an instant

Bob Pollard abandoned his trademark lo-fi sound to release a major label album, produced by the legendary Cars leader Ric Ocasek,

Are they punk, post-punk, pop, alternative? And why did we gravitate towards the lyrics? We revisit the 1996 album by Tuscaderoo.