The Dwarves Are Young and Good Looking marks a high for the provocative punk band that knows how to craft one and two minutes pop-punk gems

Call it punk, call it metal, either way the 1999 album Black Visions of Crimson Wisdom by The Hookers is high energy shock to the system

The lone, obscure full-length by The Brady Bunch Lawnmower Massacre is a rowdy, rollicking, and occasionally offensive cowpunk hidden gem

Moving to a major label for their eighth album, Stranger Than Fiction, Bad Religion kept the lyrical fire but upped the production quality

Punk rock legend Dave Smalley (All, Dag Nasty) discusses new music from Don't Sleep, his extensive Down By Law output in the ‘90s, and more

Though the tragic story of Mia Zapata dominates their story, The Gits 1992 album Frenching The Bully is worthy of its own discussion

We revisit the late 90s Garage Rock Revival by bands like The White Stripes and trace the lineage back to the 60s until the 2000s

On their third album Bring On The Juice, Melbourne's Hoss mix Detroit rock with Seattle grunge for a loud, loose, and raucous good time

On their second full-length Every Good Boy Deserves Fudge, Mudhoney expanded their fuzzed-out sound but missed on delivering a killer track

Cosmic Psychos might be unknown in the United States, but their fuzzed-out punk can be heard in grunge, stoner, and action rock followers

Turbonegro were at the forefront of the late 90s Scandanvian underground rock movement, we check out their 1998 album Apocalypse Dudes

Jim Hanke of Vinyl Emergency stops by to discuss the 1996 Jon Spencer Blues Explosion album Now I Got Worry and the death of Prince

The Screaming Jets combine the twin guitar attack of Thin Lizzy, southern boogie of Lynyrd Skynyrd and more on 1992's Tear of Thought

Where the 90s the ultimate decade for movie soundtracks? Can a great soundtrack redeem a mediocre movie?

Who's punk, what's the score? That's what we try to figure out on our roundtable talking punk rock in the 1990s

Clay Tarver of Bullet LaVolta and Chavez talks with us about his bands and his long journey to screenwriting and Silicon Valley on HBO

Borrowing from the Motown garage rock of the MCS, Stooges and Sonic Rendezvous Band, as well as stadium rockers like KISS and The Who.

The early punk of The Stooges and MC5 is prevalent in the sound of Asteroid B-612: raw energy, loud guitars and a big chorus.

In the thirteenth episode of the Dig Me Out Podcast, Tim and Jason review the 1998 album Bricks and Blackouts by Gaunt.