On their 1997 sophomore album In It for the Money, Supergrass arguably made the most interestingly consistent album of the Britpop era

After helping define the Britpop sound, Blur turned to American indie rock to find inspiration for their challenging 1997 self-titled album

The 1995 album Good Weird Feeling by Odds is the right combo of radio-friendly pop and alternative, so why didn't it score a hit single?

On their fourth album Odyssey Number Five, Powderfinger expertly craft an alternative rock album for rock radio and headphone audiophiles

On their fifth album This Is My Truth Tell Me Yours, the Manic Street Preachers process death and depression with radio friendly sheen

1997 might be remember as the year pop returned to US radio and MTV, but Radiohead, Foo Fighters and more released career defining albums

Kashmir concocts a sometimes compelling but frustrating combination of sounds and approaches that left us with more questions than answers.

What was and is Britpop? We're not sure, so we're hosting a roundtable to try figure out the sounds, bands, legacy and more

We discuss Dulcinea, talk songwriting, independence in a major label world, the importance of maintaining the mailing list.

In its finest moments, Kent's album Isola recalls moments big and small from Pablo Honey and The Bends-era Radiohead

Combining the long-form jams of The Verve with the attitude and pop-sensibility of Oasis.