The lone full-length by UK band Milk is an attack of dissonant guitars and frantic rhythms that recall early grunge and Chicago noise rock

We revisit and discuss the overlooked, under-appreciated, forgotten, and not so forgotten albums of 1993

Before becoming one of the hot remix artists of the 2000s, Soulwax combined crunchy guitars and pop melodies on their 1998 sophomore album

Skeleton Key combined East Coast punk and indie rock with an unconventional rhythm section to give their 1997 debut a unique twist

What happens when you mix Helmet's down-tuned riffs and The Cure's slinky rhythms? The 1995 sophomore album Killjoy by Shihad is the answer.

We revisit the landmark 1991 Slint album Spiderland and ask - can an influential album be outshined by its influences?

Heralded as the genre defining noise rock album of the 90s, we tackle the 1991 sophomore album Goat by The Jesus Lizard

On their third album In On The Kill Taker, Fugazi expanded and redefined not only their own sound but the post hardcore they helped create

Melvins-eque sludge to frenetic punk, with a screaming vocal on top of it all. How can we not love this combination?

Combing angular guitar riffs with tricky drumming and challenging melodies, the final album by Pond is worth a revisit

J Robbins may be better known for his years in Jawbox, but is it possible Mission: Control! is his best work?

In the twenty-eight episode of the Dig Me Out Podcast, Tim and Jason review the 1990 debut album Strap It On by Helmet