The Cure, The Sheila Divine, KIX & Smashing Pumpkins
Catch up on the week in new music and Dig Me Out podcast
Latest Podcasts
KIX - Midnite Dynamite | 80s Metal Revisited
October 1985: hair was big, riffs were bigger, and rock was veering toward an electrified blend of glam, grit, and decadence. Metalheads and rock fans everywhere were tuning in to MTV, where every week, a new video was promised to capture their attention. This era was when albums weren’t just records; they were statements dripping with attitude and ener…
Smashing Pumpkins - Gish | 90s Rock Revisited
Rewind to May 1991: Smashing Pumpkins, a band barely known outside the Chicago underground scene, released their debut album, Gish, into a world still dominated by glossy hair metal and overproduced rock. Before the angst of grunge took over, before
New Releases
Authority Zero - Thirty Years: Speaking to the Youth EP
Authority Zero has been blending punk rock with reggae and ska vibes since the mid-90s, putting Arizona on the map for those who crave music with a defiant attitude and a love for the alternative side of life. Known for high-energy live shows and lyrics that emphasize unity and independence, Authority Zero is all about lifting the underdog and resisting authority (pun intended). On Thirty Years: Speaking to the Youth, the band keeps up that energetic blend, but there’s a seasoned edge here—a reflection of the years and experiences. What’s cool about this release? The EP captures the same youthful intensity they started with, making you feel like they’ve never missed a beat, even while offering wisdom earned over three decades in the scene.
Planes Mistaken for Stars - Do You Still Love Me?
Planes Mistaken for Stars operates in that raw, emotional space where punk, post-hardcore, and a bit of sludge rock collide. Formed in the late 90s and often associated with a raw, emotional intensity, this band has made waves not only for their sound but also for the unfiltered, cathartic release their music offers. Do You Still Love Me? is a brutally honest, deeply introspective release that pulls you right into that vulnerable space. This one’s a true rollercoaster for fans of music that leans into the shadows and struggles. Most interesting fact? It’s a posthumous release following frontman Gared O’Donnell’s passing, giving it a powerful, almost haunting quality as fans hear his final words and musings set to the band’s signature grit.
The Cure - Songs Of A Lost World
The Cure needs no introduction to most, but if you’re new: they’re the architects of gothic rock and alternative music royalty. Known for their dark, atmospheric soundscapes, Robert Smith’s heart-wrenching lyrics, and ever-evolving sound, The Cure has managed to capture hearts and break them since the late 70s. Songs Of A Lost World marks a return to form that fans have eagerly awaited, with Smith leading the charge on a darker, reflective path once more. Most interesting part? After nearly a decade of hints, this album finally dropped, and it lives up to the hype. It’s a deep dive into melancholy, nostalgia, and the existential dread that only Smith could make you want to dance along to.
The Fleshtones - It’s Getting Late (…and More Songs About Werewolves)
The Fleshtones have been the “garage rock saviors” since the late 70s, blending elements of punk, rock ‘n’ roll, and just enough quirk to keep things entertaining and unpredictable. With It’s Getting Late, they’ve leaned into a tongue-in-cheek horror theme that’s as fun as it is catchy. The EP is full of rockabilly vibes and supernatural nods, giving it a unique feel in their catalog. The most fun fact? This release came out just in time for Halloween, making it a must-listen for anyone who wants a bit of spooky fun without leaving the rock energy behind. It’s classic Fleshtones through and through, showing they’re still capable of a good time.
The Residents - Dookietown EP
The Residents are one of music’s strangest collectives, known for their anonymity, surreal performances, and avant-garde approach to music since the early 70s. Never ones to fit neatly into a genre, their sound is an experimental mix of electronic, rock, and performance art. Dookietown EP is no exception—it’s bizarre, unsettling, and wildly creative. If you’re into the unconventional, this is your go-to. Fun fact? The Residents describe this EP as a “visit to a surreal amusement park,” and honestly, that’s pretty much what listening to it feels like—a twisted carnival ride that only The Residents could deliver.
Mount Eerie - Night Palace
Mount Eerie is Phil Elverum’s introspective project, known for its minimalist, often haunting take on folk music that explores themes of life, loss, and nature with heartbreaking honesty. Night Palace is an intimate continuation of these themes, blending lo-fi production with raw emotion that feels like a diary entry set to music. Most poignant fact? Elverum recorded this in a secluded location, giving the entire project an eerie, isolated vibe that mirrors the solitude he often contemplates. This album is as much about silence and space as it is about sound—a meditation in musical form.
Willie Nelson - Last Leaf on the Tree
At 90 years old, Willie Nelson is still creating music that feels as fresh and soul-stirring as his classics. Known for his iconic voice and outlaw country persona, Willie has shaped American music in ways few can rival. Last Leaf on the Tree is a reflective work, and it’s got all the warmth, grit, and wisdom you’d expect from him. Interesting note? This album reflects on mortality and legacy, themes Nelson doesn’t shy away from—and it’s this honesty that gives the album its raw, heartfelt punch. You can practically feel his storied past in every note.
Slower - Rage And Ruin
Slower may not be a household name, but they’ve cultivated a following among fans of heavy, melodic post-hardcore and alternative rock. Rage And Ruin is a powerful showcase of their talent, leaning into themes of frustration, resilience, and—yes—rage. There’s an intensity here that feels cathartic, perfect for listeners who want music that can go deep into darker, heavier emotions without sacrificing melody. What’s unique? They self-produced this album, lending it a raw, unfiltered energy that adds to the listening experience. It’s an album to get lost in if you’re ready to feel something intense.
The Sheila Divine - I Am The Darkness. We Are The Light.
The Sheila Divine’s I Am The Darkness. We Are The Light. signifies a new phase for frontman Aaron Perrino, who recorded this album independently, capturing his unfiltered vision with longtime collaborators Steven Lord and Will Claflin and adding the ethereal touch of Marissa Nadler’s vocals. Described as the “purest essence” of his influences, Perrino’s work reflects the guidance of his mentor, Brian Charles. This album, recorded during a personal low, combines introspective depth with powerful, anthemic sound.
November’s 80s Metal Album Tournament
The Dig Me Out Union is debating which 80s metal album should be featured next. Each album has its supporters, with fans digging into their memories, sharing unique perspectives, and defending their favorite picks.
• Joe Satriani - Surfing With The Alien
Leading the poll, Surfing With The Alien is praised for making instrumental rock mainstream. Joe Royland notes it was Satriani’s breakout, though Keith P. Miller recalls its low profile on MTV. Fans see it as essential for those curious about pure guitar mastery.
• Steve Stevens - Atomic Playboys
Known for his work with Billy Idol, Stevens’ solo album blends fierce guitar with H.R. Giger’s striking cover art. Gavin Reid appreciates Stevens’ choice to leave vocals to others, letting his guitar shine. It’s glam metal with a twist—unusual but worth the dive.
• Balaam & The Angel - Live Free or Die
This “English goth hair metal” album is a wildcard. Fans like Patrick Testa and Jeremy Amend highlight its genre-blending sound, with echoes of The Cult and AC/DC, making it the pick for those who want something offbeat.
• Britny Fox - Britny Fox
Known for their MTV hit “Girlschool,” Britny Fox delivers classic 80s glam metal. Fans describe it as Cinderella meets 80s KISS, embodying the over-the-top style of the era. Kevin Petrilla captures it best: “an 80s KISS tribute act with better songwriting.”
With Surfing With The Alien in the lead, there’s still time to cast your vote and shape the next Dig Me Out episode.
I'm late to the party, but thank you for the shout/signal boost!