Cursive, The Jesus Lizard, & Green Day
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Fanning Dempsey National Park – The Deluge
Fanning Dempsey National Park is a new collaboration between Bernard Fanning, the iconic voice of Powderfinger, and Paul Dempsey, frontman of Something for Kate. While it’s unclear if this is a one-off project or the start of something ongoing, what is clear is that this partnership brings something intriguing to the table. The sound of
Nick Cave and the Bad Seeds - Wild God
Nick Cave has returned with a new album, Wild God, and it feels like the culmination of themes he’s been exploring for years. Known for his poetic, metaphor-laden storytelling and existential musings, Cave has always found ways to channel his demons through grand concepts. However,
Stryper, the pioneers of Christian metal, are back with a vengeance. Known for their high-energy mix of glam metal with messages of faith, they rose to prominence in the 80s with albums like To Hell With the Devil. When We Were Kings is a fitting title for a band that once ruled the metal scene. The standout feature of this release is their continued ability to fuse metal’s heaviness with uplifting spiritual themes, proving that after decades, they’ve still got the chops. Expect blistering guitar solos and operatic vocals with that signature positive twist.
Flotsam and Jetsam – I Am The Weapon
Flotsam and Jetsam’s I Am The Weapon is a relentless thrash metal assault that stays true to the band’s roots while pushing into slightly more melodic territory. Released on September 13, 2024, the album includes tracks like “A New Kind of Hero” and the title track, which highlight Erik AK’s powerful vocals and intricate guitar work. This album continues their trend of producing consistently solid records since their 2016 resurgence, with a blend of speed, power, and thrash metal .
Cursive’s latest release, Devourer, brings back the band’s signature blend of raw post-hardcore and indie rock. Tim Kasher’s introspective lyrics and the band’s dynamic arrangements create a sound that’s both chaotic and deeply emotional. Fans of The Ugly Organ and Domestica will find familiar ground, as the band tackles heavy themes with jagged guitars and orchestral flourishes. It’s an intense and cathartic experience that pushes Cursive’s boundaries further into experimental territory.
The Jesus Lizard returns with Rack, a noise-rock explosion that’s as abrasive and visceral as their earlier work. Known for their chaotic sound and incendiary live shows, this new release captures that same raw energy. David Yow’s confrontational vocals and the band’s dissonant guitar work are in full force, creating a record that feels like a sonic assault, yet with a calculated edge that only veteran noise-rockers like The Jesus Lizard can deliver.
Moon Mirror finds Nada Surf in reflective, melodic form. Known for their evolution from alt-rock hitmakers to introspective indie favorites, this album sees them embracing lush soundscapes and heartfelt lyricism. The emotional depth of tracks like “Looking Through” balances beautifully with their knack for crafting catchy melodies. It’s a continuation of the thoughtful songwriting fans have come to expect.
Melvins drummer Dale Crover’s Glossolalia is a wild ride through experimental rock. Known for pushing musical boundaries, Crover brings in elements of psych-rock, noise, and avant-garde compositions. His multi-instrumental talents shine, offering unpredictable and intricate soundscapes that keep listeners on their toes. This album is both a challenge and a reward for fans of experimental music.
Nick Lowe & Los Straitjackets – Indoor Safari
Nick Lowe and Los Straitjackets team up again for Indoor Safari, delivering a fun and breezy collection of rockabilly-infused tracks. Lowe’s witty songwriting pairs perfectly with the instrumental prowess of Los Straitjackets, creating an album that feels retro yet fresh. The collaboration brings a lot of charm and energy, making it a perfect listen for fans of both artists.
Snow Patrol – The Forest Is The Path
Snow Patrol’s The Forest Is The Path takes a more stripped-down, introspective approach compared to their earlier arena rock sound. The album features acoustic-driven tracks that explore themes of solitude and healing, reflecting a more meditative side of the band. It’s a departure from their grand, emotive sound, offering a more intimate listening experience.
Tindersticks’ Soft Tissue continues their tradition of creating moody, cinematic soundscapes. The lush orchestration and Stuart Staples’ deep, melancholic voice set the tone for an album that feels like a haunting film score. Fans of their previous work will appreciate the rich textures and emotional depth that permeate every track.
The Quireboys – Wardour Street
Wardour Street by The Quireboys brings back their signature mix of glam rock and bluesy swagger. The album is packed with raw, barroom energy, reminiscent of their early days but with the experience and grit that only time can bring. It’s a fun, rollicking record that will make you feel like you’re at a live gig.
Motorpsycho – Neigh!!
Motorpsycho’s Neigh!! is a sprawling, progressive rock masterpiece that fuses elements of psych-rock, jazz, and folk. Known for their experimental tendencies, this album showcases the band’s ability to craft intricate, genre-bending compositions that challenge and engage the listener. It’s a bold and adventurous release, perfect for fans of progressive music.
Michael McDermott – East Jesus / Lighthouse On The Shore
Michael McDermott’s East Jesus / Lighthouse On The Shore is a deeply personal and introspective record. His lyrical storytelling is front and center, as he reflects on life’s struggles and triumphs with raw emotion. The album combines folk, rock, and Americana, offering a heartfelt and relatable listening experience.
Jesus Jones Tops the Poll! Beating Out Power Pop, Ska-Punk, and Industrial Heavyweights
The results are in, and Jesus Jones – Perverse has claimed victory in our September 90s Rock Album Tournament! With 25% of the vote, this electronic rock gem triumphed over some stiff competition. Killing Joke’s Pandemonium and Redd Kross’s Show World tied for second place, each earning 19%, with Bob Mould’s The Last Dog and Pony Show not far behind at 14%.
Darren Leach, who nominated Perverse, helped remind us of this forgotten masterpiece, proving that grunge wasn’t the only game in town in the 90s. As this poll showed, albums like Pandemonium, with its industrial depth and dark tones, and Show World, packed with power-pop hooks, were strong contenders, but Jesus Jones stood out for its bold experimentation.
This is what the DMO Union on Patreon is all about—your suggestions directly shape what we cover. With every poll, you bring fresh perspectives and overlooked classics to the table. If you’re not part of the Union yet, now’s the perfect time to join, nominate your favorite albums, and help us rediscover the hidden gems of the 90s!
Appreciate the shout out! 🙏🏼