Bush, Jewel & Rikki Rockett

Catch up on the week in new music and Dig Me Out podcasts

Latest Podcasts

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The Community Has Spoken: Sky Cries Mary Soars to Victory

When you put four wildly different albums up against each other, something beautiful happens. The community reveals what they’re truly craving. And this month you’re hungry for the weird. The experimental. The stuff that refuses to stay in its lane.

Here’s how the final tally shook out:

1. Sky Cries Mary - A Return to the Inner Experience: 56%

2. Hagfish - Rocks your lame ass: 22%

3. AC/DC - Ballbreaker: 11%

4. John Doe - Meet John Doe: 11%

While AC/DC played it safe and John Doe went introspective, Seattle’s Sky Cries Mary was out there blending dreamy psychedelia with buzzing guitars and euro disco beats. That’s the genre-bending madness that made the 90s gloriously unpredictable.

Sky Cries Mary it is. Let’s get weird.

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New Releases

Bush - I Beat Loneliness

Picture this: it’s 1994, you’re flipping through MTV after school, and suddenly there’s this impossibly beautiful British guy singing about sixteen stones while looking like he stepped out of a grunge fever dream. That was our introduction to Bush, back when alternative rock felt dangerous and Gavin Rossdale’s cheekbones could cut glass. Now, thirty years later, they return with their tenth studio album that tackles the kind of heavy stuff—mental health, isolation, recovery—that hits different when you’re old enough to really get it. Critics are calling it “one of their strongest releases in years” and fans are noting how it feels like “a heartfelt letter to both their younger selves and the fans who have grown with them.” Sometimes the bands that soundtracked our youth know exactly what we need to hear as adults.

Laura Jane Grace - Adventure Club

Remember when punk rock was spit, fury and three chords of truth? Laura Jane Grace has spent decades perfecting that formula with Against Me!, chronicling everything from political rage to deeply personal transformation. But here’s the thing about getting older in punk: sometimes you earn the right to simply have fun. This most playful work yet, born from a month-long artist residency in Greece, captures Grace sounding genuinely joyful—a rare and beautiful thing. The sweet surprise: her wife Paris provides backing vocals despite having no musical background, creating moments that feel like love letters set to power chords. Critics are celebrating how Grace “sounds like she’s having genuine fun making this music” while keeping her punk fire burning bright.

Styx - Circling From Above

Close your eyes and you can probably still sing every word of “Come Sail Away”—that’s the power Styx wielded when arena rock was king and concept albums ruled the world. These Chicago legends return with their eighteenth studio album, proving that some bands never stop reaching for the stars. The cosmic twist: actual space junk orbiting Earth inspired this collection, with Tommy Shaw using apps that track orbital debris to craft lyrics about our cluttered universe. Critics are calling it “Styx at their best: nostalgic yet forward-looking,” capturing that classic progressive rock magic that made us believe music could transport us anywhere.

We Are Scientists - Qualifying Miles

Think back to the mid-2000s indie rock explosion, when skinny ties and guitar jangles ruled hipster hearts from Brooklyn to Brighton. We Are Scientists were the witty kids in the corner, crafting perfectly imperfect pop songs that felt like inside jokes with your coolest friend. Twenty years after With Love And Squalor, they’re back with their ninth album—a deliberately nostalgic dive into ‘90s guitar rock that wasn’t planned as unified but naturally became a meditation on “nostalgia, loss, and the bittersweet ache of the past.” Critics are calling it “an album for those who are in the thick of adulthood,” which feels exactly right for those of us who remember when indie rock was our religion.

Motorjesus - Streets Of Fire

Ever blast down an empty highway at 2 AM with the radio cranked, chasing that perfect collision of speed and steel and adrenaline? That’s the spirit these German rockers capture—pure ’80s NWOBHM energy distilled into 50 minutes of gasoline-soaked thunder. Their eighth studio album contains not a single ballad, just relentless rock and roll that fills rooms with the smell of burning rubber and possibility. Critics are praising its “street-based” approach and “relentless energy”—this is music for anyone who ever felt their heart race during a perfect guitar solo.

Suicide Commando - Final Stage EP

Picture the underground clubs of the ‘90s: strobing lights, smoke machines, and the hypnotic pulse of industrial beats that made your chest vibrate with possibility. Belgian pioneer Johan Van Roy helped define that sound, and now he’s revisiting his 1994 debut with five completely reimagined tracks that show how those songs would sound born today. The twist: there’s even a Suicide Commando song in Dutch for the first time ever. Critics praise Van Roy’s ability to “recreate the original intensity in a modernized framework”—proof that some dark magic never loses its power.

Daron Malakian and Scars On Broadway - Addicted to the Violence

Remember the first time System of a Down’s “Chop Suey!” exploded from your speakers? That moment when Daron Malakian’s guitar work showed you that metal could be both brutal and beautiful, chaotic and melodic? This third solo album spans two decades of songwriting, with the oldest track dating back to the Toxicity era when nu-metal ruled the world. Most fascinating: Malakian actually pulled “Protect the Land” from this record to give to System of a Down. Critics call it “an album brimming with energy, atmosphere, and melody”—exactly what we need when we’re craving that familiar beautiful chaos.

The Tear Garden - A Return (Single)

Some musical partnerships transcend explanation—they’re just meant to be, like lightning finding the perfect storm. The Tear Garden represents one of those cosmic collaborations: Skinny Puppy’s cEvin Key and Legendary Pink Dots’ Edward Ka-Spel creating atmospheric electronics that feel like shared dreams. After eight years away, they return with this introspective piece that perfectly captures both the musical and literal meaning of its title. It’s the lead single for October’s Astral Elevator, marking their first release for Artoffact Records and reminding us that some reunions are worth the wait.

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