Bob Mould - Here We Go Crazy

A Relentless Punk Pioneer Still Has Plenty to Say—But Is It Worth Your Time?

The first time you heard Hüsker Dü, it probably hit like a shot of adrenaline to the chest. That raw distortion, those frantic tempos, the melancholy buried under sheer volume.

But Hüsker Dü was just the beginning of the story. When the band imploded in 1987, Mould reinvented himself. His first two solo albums, Workbook and Black Sheets of Rain, traded hardcore aggression for sweeping introspection and searing personal lyrics. Then came Sugar, and with it, Copper Blue—a record that remains one of the most electrifying power-pop albums of the ‘90s.

For decades, Mould has bounced between blistering punk and melodic introspection, proving time and again that his songwriting instincts remain razor-sharp. But time moves fast. Bands break up. Scenes change. Even the most fiery artists have to evolve.

So, where does that leave Bob Mould in 2025? His last few records—Patch the Sky, Sunshine Rock, and Blue Hearts—have all delivered his signature mix of fury and melody, proving that even after decades in the game, he’s still got fire to burn. But with Here We Go Crazy, does he push forward, or is he merely fine-tuning the formula he perfected long ago? At 64 years old, he’s still pummeling his guitar, still spitting out anthems, still fighting the good fight. But is Here We Go Crazy the kind of record that stops you in your tracks? Or just another solid entry in an already legendary career?

What do you think? Has Mould earned the right to stick to his signature sound, or do you crave a bold reinvention? Let’s see what the critics are saying—and then let’s hear from you.

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🔥 What Works: Mould Still Has Gas in the Tank

A High-Energy Return to Form

From the first note, you know Mould means business. The title track explodes like a lost Sugar anthem, all blistering guitars and pounding drums.

But is it just noise? Not at all. The Guardian calls it "a furious and focused punk rock blitz", praising its sheer intensity. It’s the kind of song that grabs you by the collar and demands your attention.

Melodies Hidden Beneath the Noise

Bob Mould has always known how to sneak a pop song inside a sonic hurricane.

Does that still hold up here? Absolutely. Songs like "Lost or Stolen" slow things down just enough to let the melodies breathe, offering a break from the full-throttle assault.

According to Brooklyn Vegan, "his sense of melody remains razor-sharp, even when buried under distortion."

Aging, Frustration, and the Punk Rock Fight

Mould isn’t just relying on muscle memory—he’s processing the passage of time in real-time.

That sounds heavy. It is. Tracks like "Time Won’t Wait" reflect on mortality with the same urgency that made Black Sheets of Rain a cult classic.

NME calls it "a masterclass in channeling frustration into something anthemic." It’s that perfect Bob Mould blend: melancholy, defiance, and a melody you’ll hum for days.

But is that enough? Does this album feel like it’s grappling with something new, or does it retread familiar ground? If you’ve listened, let’s hear what you think.

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👉 👉 Does Here We Go Crazy prove Bob Mould has still got it, or does the album lose steam along the way? Join the conversation and find out where the album stumbles—and whether it’s worth your time.